Peter Syndicas
Since 1997, Peter Syndicas’s sculptures have been inspired by a fascination with the simplest organic shapes and fractals found in nature. Twigs, fragile and shaped by the elements, serve as his muse. These delicate forms are magnified and immortalized in bronze, steel, or stone, capturing a stark contrast to their fragile origins.
Syndicas specifically seeks fractals in nature that embody abstract, figurative forms. This gives each sculpture a unique duality: they are both magnified reproductions of organic shapes and expressive human figures. He values that his sculptures allow viewers to see fragments of nature transformed into works of art.
The year 2026 marks 29 years since Syndicas began studying the human form through observing plant life. Over these years he has explored many new mediums and techniques, yet one thing has remained constant: his deep fascination with and admiration for these simple organic figures.
His ambition to create forms on a magnified scale has accelerated over the last decade, with major commissioned works for Marina Bay Sands in Singapore and the recent installation at Burnside Village, which set a new record for the world’s largest suspended bronze sculpture.
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Since 1997, Peter Syndicas’s sculptures have been inspired by a fascination with the simplest organic shapes and fractals found in nature. Twigs, fragile and shaped by the elements, serve as his muse. These delicate forms are magnified and immortalized in bronze, steel, or stone, capturing a stark contrast to their fragile origins.
Syndicas specifically seeks fractals in nature that embody abstract, figurative forms. This gives each sculpture a unique duality: they are both magnified reproductions of organic shapes and expressive human figures. He values that his sculptures allow viewers to see fragments of nature transformed into works of art.
The year 2026 marks 29 years since Syndicas began studying the human form through observing plant life. Over these years he has explored many new mediums and techniques, yet one thing has remained constant: his deep fascination with and admiration for these simple organic figures.
His ambition to create forms on a magnified scale has accelerated over the last decade, with major commissioned works for Marina Bay Sands in Singapore and the recent installation at Burnside Village, which set a new record for the world’s largest suspended bronze sculpture.
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